Last Chance to See Barrington Watson retrospective!

The National Gallery of Jamaica is pleased to announce that Barrington: A Retrospective, an exhibition of more than 250 paintings, drawings and original prints by Jamaican master artist Professor the Hon. Barrington Watson, OJ, will be held over until April 29. The exhibition was originally scheduled to close on April 14.

In light of the success of our recent test of Sunday opening hours, furthermore, the National Gallery will exceptionally be open on Sundays April 22 and April 29, from 11 am to 4 pm on both days. This will give viewers who have not yet seen the Barrington Watson retrospective additional opportunity to view this important exhibition before it closes.

Normal admission fees will apply on April 22 and 29 ($400 for adults; $200 for teachers and seniors, free admission for children under 16 and students with ID). We will however offer free tours of the Barrington Watson retrospective starting at 11:30 am, 12:30 pm and 1:30 pm respectively on each day, as well as special children’s activity at 12 noon and 2 pm. The maximum number of persons per tour is 30 and participants will be accommodated on a “first come, first served” basis. Our coffee and gift shops will be open with special pre-Mother’s Day discounts on select merchandise. The Barrington Watson retrospective can also still be seen during regular opening hours: Tuesday-Thursday, 10 am to 4:30 pm, Friday 10 am to 4 pm and Saturday 10 am to 3 pm.

 

Barrington: A Retrospective (January 8-April 14, 2012)

On January 9, 2011, Barrington Watson, the Jamaican master-painter celebrated his eightieth birthday. To mark the occasion and to mark nearly sixty years of the sustained growth and development of this unique artist, the National Gallery of Jamaica (NGJ) mounted a retrospective exhibition of his work – titled Barrington: A Retrospective – which opened on the final day of his eightieth year, January 8, 2012. Barrington: A Retrospective is arguably the most ambitious exhibition ever staged by the NGJ and not only pays just tribute to this major Jamaican artist but also provides opportunities for the local and overseas promotion of Jamaican art and the work of the NGJ itself.

In a core exhibition at the NGJ itself and in two annex exhibitions held at the Bank of Jamaica and the Olympia International Art Centre, both in Kingston, a selection of two hundred and fifty-two of his works charts the major developments, both stylistically and thematically, of this Jamaican master. The paintings, which were borrowed from major collections in Jamaica and abroad, including some twenty works from the NGJ’s own holdings, are supported by choice examples of the artist’s graphic works: drawing and original prints.

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